This event has, at last, come together. I have been planning such an event for quite a while now, but sometimes thought it would never happen. Towards the end of my involvement with 'The Big Chill' I had a yearning to draw together some like-minded artists and put on a proper ambient event. My plan was to start contacting as many venues as I could, in the hope that one of them would bite. I got lucky. Tate Britain was my first point of contact, and they said yes, straight away. Meanwhile, Simon Wild and I made a second trip to South East Iceland, with the intention of producing a body of work for such an event, and the outcome of this will be on show in the North Duveens gallery at Tate Britain in January.
Wednesday, 11 November 2009
"Quiet Voices" at TATE Britain - January 8th 2010
This event has, at last, come together. I have been planning such an event for quite a while now, but sometimes thought it would never happen. Towards the end of my involvement with 'The Big Chill' I had a yearning to draw together some like-minded artists and put on a proper ambient event. My plan was to start contacting as many venues as I could, in the hope that one of them would bite. I got lucky. Tate Britain was my first point of contact, and they said yes, straight away. Meanwhile, Simon Wild and I made a second trip to South East Iceland, with the intention of producing a body of work for such an event, and the outcome of this will be on show in the North Duveens gallery at Tate Britain in January.
Sunday, 8 November 2009
Ping!
Joe Myers gave me this texture last week - a little side effect of printmaking - so I fired up my scanner and squirted it into Photoshop, where I fooled around with clipping masks and type.
This got me to thinking that we ought to run a few games of "Photoshop Tennis" - where folks send a piece of work back and forth, making their own adjustments to it, without turning it into a muddy turd.
Anyone interested?
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